Amongst a digital mountain range littered with accomplished folk-ish bands and singer-songwriters, it is a rare miracle to come across a cave so rich in jewels as the one beneath Ida Wenøe’s ribcage.
While she has an obvious appreciation of Americana, her sound is very definitely laced with more English undertones: the kind of sound Edward Woodward might have heard downstairs in the local inn had the Wicker Man been filmed in a remote Danish village, while Sarah Lund scoured for clues in her jumper.
Like the best of the Nordic Noir leaving the Danish mainland, the recordings are at once both sonically pure and grimy; there’s a shared loneliness that makes you feel that you’re not at all; and all the while there is an honesty to the songwriting that tugs at your sleeve.
Sure, she has the usual credible influences from Vashti to Joni, from Neil Young to Danish folk hero Sebastian; and there are hints of Sandy Denny and Linda Perhacs. But to list artists she sounds like would be to miss the point entirely. As anyone who has witnessed a live show can attest, Ida Wenøe is very definitely Ida Wenøe.
“Ida Wenøe is equal parts mysterious, brooding & beguiling” – R2 Magazine
“Her voice – weary but cute, with the power to cut through – is perfect” – The Guardian
“Wenøe’s signature style pairs ethereal vocals with delicately finger-picked guitar” – Line of Best Fit
“In keeping with her Nordic DNA there’s a glacial air to both the music and the imagery” – Folk Radioback to bands
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